Jump to ContentJump to Main Navigation
Murmured ConversationsA Treatise on Poetry and Buddhism by the Poet-Monk Shinkei$
Users without a subscription are not able to see the full content.

Esperanza Ramirez-Christensen

Print publication date: 2008

Print ISBN-13: 9780804748636

Published to Stanford Scholarship Online: June 2013

DOI: 10.11126/stanford/9780804748636.001.0001

Show Summary Details
Page of

PRINTED FROM STANFORD SCHOLARSHIP ONLINE (www.stanford.universitypressscholarship.com). (c) Copyright Stanford University Press, 2017. All Rights Reserved. Under the terms of the licence agreement, an individual user may print out a PDF of a single chapter of a monograph in SSO for personal use (for details see http://www.stanford.universitypressscholarship.com/page/privacy-policy).date: 20 November 2017

The Impartiality of Divine Response

The Impartiality of Divine Response

Chapter:
(p.178) Fifty-Four The Impartiality of Divine Response
Source:
Murmured Conversations
Publisher:
Stanford University Press
DOI:10.11126/stanford/9780804748636.003.0055

To celebrate the benefits of the Dharma (hōraku), it was a common practice in Japan during the medieval period to make offerings of poetry (waka, renga, kanshi) as well as Nō plays and other performing arts at temples and shrines. Records of hōraku renga suggest that artistic performance was one way of giving delight to the gods, buddhas, and bodhisattvas to solicit their blessing of a specific request by the celebrant or the sponsor. In this chapter, Shinkei responds to the question of whether the poor quality of a performance would have an adverse effect on divine response. His answer is consistent with the opinion expressed in the Shasekishū, based on a passage in the Sutra of the Ten Wheels, namely, that imperfect observance (of the precepts) must not be condemned outright. Instead, it must be turned into the seed of future benefits. Shinkei claims that such an attitude conforms to the Buddha's compassion and is in agreement with the fact that among the six perfections, that of giving and generosity comes first.

Keywords:   Dharma, Japanese poetry, offerings, Shinkei, artistic performance, divine response, Shasekishū, Buddha, compassion, generosity

Stanford Scholarship Online requires a subscription or purchase to access the full text of books within the service. Public users can however freely search the site and view the abstracts and keywords for each book and chapter.

Please, subscribe or login to access full text content.

If you think you should have access to this title, please contact your librarian.

To troubleshoot, please check our FAQs , and if you can't find the answer there, please contact us.