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Italy's Eighteenth CenturyGender and Culture in the Age of the Grand Tour$
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Paula Findlen, Wendy Wassyng Roworth, and Catherine M. Sama

Print publication date: 2009

Print ISBN-13: 9780804759045

Published to Stanford Scholarship Online: June 2013

DOI: 10.11126/stanford/9780804759045.001.0001

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“The Residence of the Arts” Angelica Kauffman's Place in Rome

“The Residence of the Arts” Angelica Kauffman's Place in Rome

Chapter:
(p.151) Six “The Residence of the Arts” Angelica Kauffman's Place in Rome
Source:
Italy's Eighteenth Century
Author(s):

Wendy Wassyng Roworth

Publisher:
Stanford University Press
DOI:10.11126/stanford/9780804759045.003.0007

This chapter discusses the life and works of Angelica Kauffman, one of the most popular artists in Rome at the end of the eighteenth century, who enjoyed her first success as a history painter in Rome, where she lived and worked almost continuously. It considers her place in Rome by focusing on her literal location—the house in which she lived and worked—as well as her symbolic place, especially in regard to her gender, within the history of art in that city.

Keywords:   Angelica Kauffman, Rome, history painter, art, gender

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