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In Your FaceProfessional Improprieties and the Art of Being Conspicuous in Sixteenth-Century Italy$
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Douglas Biow

Print publication date: 2009

Print ISBN-13: 9780804762151

Published to Stanford Scholarship Online: June 2013

DOI: 10.11126/stanford/9780804762151.001.0001

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PRINTED FROM STANFORD SCHOLARSHIP ONLINE (www.stanford.universitypressscholarship.com). (c) Copyright Stanford University Press, 2018. All Rights Reserved. Under the terms of the licence agreement, an individual user may print out a PDF of a single chapter of a monograph in SSO for personal use (for details see www.stanford.universitypressscholarship.com/page/privacy-policy).date: 15 December 2018

Introduction

Introduction

Chapter:
(p.1) Introduction
Source:
In Your Face
Publisher:
Stanford University Press
DOI:10.11126/stanford/9780804762151.003.0001

This chapter introduces the main themes of the book, providing background about how the professional improprieties of a select group of writers and visual artists in sixteenth-century Italy were encoded in their works of art in complex ways. It also describes a performative practice, a mode of behavior: the art of being conspicuous, with art meaning everything from talent and knack to empirically acquired skill. It notes that a key factor was the growth of the print industry, which allowed a number of writers—the polygraphs writing in the vernacular—to distance themselves from court culture and survive somewhat independently of it, through the print marketplace. Another factor was the development of a vigorous patronage system, which created wider opportunities for artists than previously existed and gave them the possibility of reaching a level of fame not attained in the fourteenth and fifteenth centuries.

Keywords:   sixteenth-century Italy, performative practice, print industry, polygraph, patronage system

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