Jump to ContentJump to Main Navigation
The Illustration of the MasterHenry James and the Magazine Revolution$

Amy Tucker

Print publication date: 2010

Print ISBN-13: 9780804768740

Published to Stanford Scholarship Online: June 2013

DOI: 10.11126/stanford/9780804768740.001.0001

Show Summary Details
Page of

PRINTED FROM STANFORD SCHOLARSHIP ONLINE (www.stanford.universitypressscholarship.com). (c) Copyright Stanford University Press, 2017. All Rights Reserved. Under the terms of the licence agreement, an individual user may print out a PDF of a single chapter of a monograph in SSO for personal use (for details see http://www.stanford.universitypressscholarship.com/page/privacy-policy). Subscriber: null; date: 23 November 2017

(p.227) Works Cited

(p.227) Works Cited

Source:
The Illustration of the Master
Publisher:
Stanford University Press

Bibliography references:

A list of abbreviations for frequently cited texts is provided on page xxv.

Abbott, Charles D. Howard Pyle: A Chronicle. New York: Harper, 1921.

Agnew, Jean-Christophe. “The Consuming Vision of Henry James.” The Culture of Consumption. Ed. Richard Wightman Fox and T. J. Jackson Lears. New York: Pantheon, 1983. 67–100.

Albers, Christina E. A Reader's Guide to the Short Stories of Henry James. New York: G. K. Hall, 1997.

Alden, Henry Mills. Magazine Writing and the New Literature. New York: Harper, 1908.

Allingham, Philip V. “Arthur Hopkins's Illustrations for the Monthly Serialisation of Thomas Hardy's The Return of the Native.” Victorian Web. November 28, 2004. www.victorianweb.org (accessed January 16, 2009).

Anesko, Michael. “Friction with the Market”: Henry James and the Profession of Authorship. New York: Oxford University Press, 1986.

———. Letters, Fictions, Lives: Henry James and William Dean Howells. New York: Oxford University Press, 1997.

Austin, J. L. How to Do Things with Words. Ed. J. O. Urmson and Marina Sbisa. 2nd ed. Cambridge, MA: Harvard University Press, 1975.

Bailey, Brigitte. “The Protected Witness: Cole, Cooper, and the Tourist's View of the Italian Landscape.” American Iconology: New Approaches to Nineteenth-Century Art and Literature. Ed. David C. Miller. New Haven, CT: Yale University Press, 1993. 92–111.

Baker, Nicholson. Double Fold: Libraries and the Assault on Paper. New York: Vintage, 2002.

Bal, Mieke. “On Looking and Reading: Word and Image, Visual Poetics, and Comparative Arts.” Semiotica 76.3–4 (1989): 283–320.

Barchas, Janine. Graphic Design, Print Culture, and the Eighteenth-Century Novel. Cambridge: Cambridge University Press, 2003.

Bazargan, Susan. “Representation and Ideology in ‘The Real Thing.’” Henry James Review 12.2 (Spring 1991): 133–37.

(p.228) Bätschmann, Oskar, and Pascal Griener. Hans Holbein. Trans. C. Hurley and P. Griener. Princeton, NJ: Princeton University Press, 1997.

Batten, Charles L., Jr. Pleasurable Instruction: Form and Convention in Eighteenth-Century Travel Literature. Berkeley: University of California Press, 1978.

Baym, Nina. Novels, Readers, and Reviewers: Responses to Fiction in Antebellum America. Ithaca, NY: Cornell University Press, 1984.

Begley, Louis. Introduction. The Other House. By Henry James. 1896. New York: New York Review of Books, 1999. v–xiii.

Bennett, Arnold. Letters of Arnold Bennett. Ed. James Hepburn. Vol. 2. London: Oxford University Press, 1966.

Benson, Eugene. “French and English Illustrated Magazines.” Atlantic Monthly, June 1870: 681–87.

A History of Book Illustration: The Illuminated Manuscript and the Printed Book. Cleveland, OH: World Publishing, [c.1958]. Bland, David. A History of Book Illustration: The Illuminated Manuscript and the Printed Book. Cleveland, OH: World Publishing, [c.1958].

Blood, Katherine L., and Linda Stiber Morenus. “A Technical Study of Joseph Pennell's Pastels and Charcoals.” IPC Conference Paper, Edinburgh, 2006. 23–30.

Bogardus, Ralph F. Pictures and Texts: Henry James, A. L. Coburn, and New Ways of Seeing Literary Culture. Ann Arbor, MI: UMI Research Press 1984.

Bogart, Michele H. Artists, Advertising, and the Borders of Art. Chicago: University of Chicago Press, 1995.

Borus, Daniel H. Writing Realism: Howells, James and Norris in the Mass Market. Chapel Hill: University of North Carolina Press, 1989.

Bourdieu, Pierre. The Field of Cultural Production: Essays on Art and Literature. Ed. Randal Johnson. New York: Columbia University Press, 1993.

Brandywine River Museum. “Howard Pyle and the American Renaissance.” Exhibition notes. March 17–May 20, 2007. www.brandywinemuseum.org (accessed January 21, 2008).

Brodhead, Richard. Cultures of Letters: Scenes of Reading and Writing in Nineteenth-Century America. Chicago: University of Chicago Press, 1993.

Brown, Joshua. Beyond the Lines: Pictorial Reporting, Everyday Life, and the Crisis of Gilded Age America. Berkeley: University of California Press, 2002.

Bunner, H. C. “American Posters, Past and Present.” Scribner's Magazine, October 1895: 429–44.

Burlingame, Roger. Of Making Many Books: A Hundred Years of Reading, Writing and Publishing. New York: Scribner's, 1946.

Burns, Sarah. Inventing the Modern Artist: Art and Culture in Gilded Age America. New Haven, CT: Yale University Press, 1996.

Burrows, Stuart. “Stereotyping Henry James.” The Henry James Review 23.3 (2002): 255–64.

(p.229) Butler, Judith. Afterword. The Scandal of the Speaking Body. By Shoshana Felman. Trans. Catherine Porter. Stanford, CA: Stanford University Press, 2003. 113–23.

———. Bodies That Matter: On the Discursive Limits of “Sex.” New York: Routledge, 1993.

———. Gender Trouble: Feminism and the Subversion of Identity. New York: Routledge, 1990.

Camille, Michael. Image on the Edge: The Margins of Medieval Art. London: Reaktion, 1992.

Carr, Helen. “Modernism and Travel (1880–1940).” The Cambridge Companion to Travel Writing. Ed. Peter Hulme and Tim Youngs. Cambridge: Cambridge University Press, 2002. 70–86.

Casteras, Susan. “The Prime Hours of First—and Subsequent—Initiations.” Henry James Review 23.3 (Fall 2002): 304–17.

Cavallo, Guglielmo, and Roger Chartier, eds. A History of Reading in the West. Trans. Lydia G. Cochrane. Amherst: University of Massachusetts Press, 1999.

Century Company. Century Company Records 1870–1924. MssCol 504. Humanities and Social Sciences Library, Manuscripts and Archives Division, New York Public Library.

Charteris, Evan. John Sargent. New York: Scribner's, 1927.

———. The Life and Letters of Sir Edmund Gosse. New York: Harper, 1931.

Chartier, Roger. “Labourers and Voyagers: From the Text to the Reader.” The Book History Reader. Ed. David Finkelstein and Alistair McCleery. London: Routledge, 2006. 47–58.

Chielens, Edward E., ed. American Literary Magazines: The Eighteenth and Nineteenth Centuries. New York: Greenwood, 1986.

Coburn, Alvin Langdon. Alvin Langdon Coburn, Photographer: An Autobiography. Ed. Helmut and Alison Gernsheim. London: Faber & Faber, 1966.

Coffin, William A. “American Illustration of Today.” Scribner's Magazine, March 1892: 333–49. Part 3 of a series, American Illustration of Today, begun January 1892.

Colvin, Sidney. British Museum: Guide to an Exhibition of Drawings and Engravings by the Old Masters. London: British Museum, 1895.

Congdon, Charles T. “Over-Illustration.” North American Review 139 (November 1884): 480–92.

Conrad, Joseph. The Collected Letters of Joseph Conrad. Ed. Frederick R. Karl, Laurence Davies, and Owen Knowles. Vol. 6. Cambridge: Cambridge University Press, 2002.

Culver, Stuart. “Ozymandias and the Mastery of Ruins: The Design of the New York Edition.” Henry James's New York Edition: The Construction of Authorship. Ed. David McWhirter. Stanford, CA: Stanford University Press, 1995. 39–57.

Curtis, George William. “Editor's Easy Chair.” Harper's New Monthly, May 1880: 935–41.

———. “Editor's Easy Chair.” Harper's New Monthly, July 1880: 302–8.

———. “Editor's Easy Chair.” Harper's New Monthly, January 1881: 303–9.

Danto, Arthur C. Introduction. Brushes with History: Writing on Art from The Nation 1865–2001. Ed. Peter G. Meyer. New York: Thunder's Mouth Press, 2001. xxi–xxviii.

(p.230) Darnton, Robert. “What Is the History of Books?” Reading in America: Literature and Social History. Ed. Cathy N. Davidson. Baltimore: Johns Hopkins University Press, 1989. 27–52.

Davidson, Cathy N., ed. Reading in America: Literature & Social History. Baltimore: Johns Hopkins University Press, 1989.

Dewey, Joseph, and Brooke Horvath, eds. “The Finer Thread, the Tighter Weave”: Essays on the Short Fiction of Henry James. West Lafayette, IN: Purdue University Press, 2001.

Donoghue, Denis. “Every Wrinkle the Touch of a Master.” Sewanee Review 110.2 (Spring 2002): 215–30.

Donovan, Alan B. “My Dear Pinker: The Correspondence of Henry James with His Literary Agent.” Yale University Library Gazette 36.2 (October 1961): 78–88.

Drummond, Rory. “The Spoils of Service: ‘Brooksmith.’” In Dewey and Horvath, 69–81.

Du Maurier, George. “The Illustration of Books from the Serious Artist's Point of View.” Magazine of Art. London: Cassell, 1890. 349–53.

Dyson, J. Peter. “Perfection, Beauty and Suffering in ‘The Two Faces.’” Henry James Review 2.2 (Winter 1981): 116–25.

Edel, Leon. Henry James. 5 vols. Philadelphia: Lippincott, 1953–72.

———, ed. Henry James: Letters. 4 vols. Cambridge, MA: Harvard University Press, 1974–84.

———, ed. Henry James: Stories of the Supernatural. New York: Taplinger, 1970.

———, ed. The Other House. By Henry James. 1896. Norfolk, CT: New Directions, 1947.

Edel, Leon, and Lyall H. Powers, eds. The Complete Notebooks of Henry James. New York: Oxford University Press, 1987.

———, eds. “Henry James and the Bazar Letters.” Bulletin of the New York Public Library 62 (February 1958): 75–103.

Edel, Leon, and Adeline R. Tintner, eds. “The Library of Henry James, from Inventory, Catalogues, and Library Lists.” Henry James Review 4.3 (Spring 1983): 158–90.

Elliott, Emory, general ed. Columbia Literary History of the United States. New York: Columbia University Press, 1988.

Ellmann, Maud. “‘The Intimate Difference’: Power and Representation in The Ambassadors.” Henry James: Fiction as History. Ed. Ian F. A. Bell. London: Vision Press, 1984. 98–113.

Exman, Eugene. The House of Harper: One Hundred and Fifty Years of Publishing. New York: Harper, 1967.

Felman, Shoshana. The Scandal of the Speaking Body. Trans. Catherine Porter. Stanford, CA: Stanford University Press, 2003.

Firebaugh, Joseph J. “Coburn: Henry James's Photographer.” American Quarterly 7.3 (Autumn 1955): 213–33.

Flannery, Denis. “Henry James's ‘Brooksmith’: Devotion and Its Discontents.” Yearbook of English Studies 37 (2007): 89–106.

(p.231) Fletcher, Pamela, and Anne Helmreich. “The Periodical and the Art Market: Investigating the ‘Dealer-Critic System’ in Victorian England.” Victorian Periodicals Review 41.4 (Winter 2008): 323–51.

Foister, Susan. Holbein and England. New Haven, CT: Yale University Press, 2004.

Foister, Susan, Ashok Roy, and Martin Wyld. Holbein's Ambassadors. London: National Gallery, [c. 1997].

Freedman, Jonathan. Professions of Taste: Henry James, British Aestheticism, and Commodity Culture. Stanford, CA: Stanford University Press, 1990.

Fried, Michael. Realism, Writing, Disfiguration: On Thomas Eakins and Stephen Crane. Chicago: University of Chicago Press, 1987.

Gabler-Hover, Janet. “The North-South Reconciliation Theme and the ‘Shadow of the Negro’ in Century Illustrated Magazine.” Periodical Literature in Nineteenth-Century America. Ed. Kenneth M. Price and Susan Belasco Smith. Charlottesville: University of Virginia Press, 1995. 239–56.

Gale, Robert. “A Note on Henry James's ‘The Real Thing.’” Studies in Short Fiction 1 (Fall 1963): 65–66.

Gallati, Barbara. William Merritt Chase. New York: Abrams, 1995.

Gard, Roger, ed. Henry James: The Critical Heritage. London: Routledge & Kegan Paul, 1968.

Garvey, Ellen Gruber. The Adman in the Parlor: Magazines and the Gendering of Consumer Culture, 1880s to 1910s. New York: Oxford University Press, 1996.

Geismar, Maxwell. Henry James and His Cult. London: Chatto & Windus, 1964.

Gerlach, John. Toward the End: Closure and Structure in the American Short Story. University, AL: University of Alabama Press, 1985.

Gilder, Richard Watson. Richard Watson Gilder Papers 1855–1916. MssCol 1154. Manuscripts and Archives Division, New York Public Library.

Gilson, Annette. “‘Some Pantomimic Ravishment’: ‘Broken Wings’ and the Performance of Success.” In Dewey and Horvath, 149–59.

Glazener, Nancy. Reading for Realism: The History of a U.S. Literary Institution 1850–1910. Durham, NC: Duke University Press, 1997.

Golumbia, David. “Toward an Ethics of Cultural Acts: The Jamesian Dialectic in ‘Broken Wings.’” Henry James Review 15.2 (Spring 1994): 152–69.

Goodman, Susan, and Carl Dawson. William Dean Howells: A Writer's Life. Berkeley: University of California Press, 2005.

Graham, Wendy. “Pictures for Texts.” Henry James Review 24.1 (Winter 2003): 1–26.

Griffin, Susan M. Foreword. The Painter's Eye: Notes and Essays on the Pictorial Arts. By Henry James. Ed. John L. Sweeney. Madison: University of Wisconsin Press, 1989. 1–8.

———. The Historical Eye: The Texture of the Visual in Late James. Boston: Northeastern University Press, 1991.

(p.232) Hamerton, Philip Gilbert. “Book Illustration.” Portfolio Papers. London: Seeley, 1889. 293–386.

Harmon, Charles. “Alvin Langdon Coburn's Frontispieces to Henry James's New York Edition: Pictures of an Institutional Imaginary.” The Victorian Illustrated Book. Ed. Richard Maxwell. Charlottesville: University of Virginia Press, 2002: 297–331.

Harper, J. Henry. The House of Harper: A Century of Publishing in Franklin Square. New York: Harper, 1912.

———. I Remember. New York: Harper, 1934.

Harper & Brothers Records, 1826–1966. MS# 0555. Rare Book & Manuscript Library, Columbia University, New York.

Harris, Neil. Cultural Excursions: Marketing Appetites and Cultural Tastes in Modern America. Chicago: University of Chicago Press, 1990.

Harvey, J. R. Victorian Novelists and Their Illustrators. New York: New York University Press, 1971.

Higgins, Charles. “Photographic Aperture: Coburn's Frontispieces to James's New York Edition.” American Literature 53.4 (1982): 661–75.

Hochman, Barbara. Getting at the Author: Reimagining Books and Reading in the Age of American Realism. Amherst: University of Massachusetts Press, 2001.

Hocks, Richard A. Henry James: A Study of the Short Fiction. Boston: Twayne, 1990.

Holbein, Hans. Iohann Holbein, le livre de portraits à Windsor Castle. 3rd ed. Paris: Braun, 1932.

———. The Windsor Collection of Holbein Portraits of the Court of Henry VIII. Reproduced in Autotype by Permission of Her Majesty the Queen, from Eighty of the Original Drawings in the Royal Library at Windsor. London: Arundel Society, 1877.

Holmes, Oliver Wendell. “Art at the Capitol.” Scribner's Monthly, February 1873: 493–500.

Holmes, Richard R. Introduction and notes. Portraits of Illustrious Personages of the Court of Henry VIII. Reproduced in Imitation of Original Drawings of Hans Holbein in the Collection of Her Majesty. Munich: Hanfstaengl, [1895].

Hoople, Robin. In Darkest James: Reviewing Impressionism, 1900–1905. London: Bucknell University Press–Associated University Press, 2000.

Horne, Philip, ed. Henry James: A Life in Letters. New York: Viking, 1999.

———. “Henry James and the Economy of the Short Story.” Modernist Writers and the Marketplace. Ed. Ian Willison, Warwick Gould, and Warren Chernaik. New York: St. Martin's, 1996. 1–34.

Horvath, Brooke. “The Life of Art, the Art of Life: The Ascetic Aesthetics of Defeat in James's ‘Stories of Writers and Artists.’” Modern Fiction Studies 28.1 (Spring 1982): 93–107.

Howells, Mildred, ed. Life in Letters of William Dean Howells. 2 vols. Garden City, NY: Doubleday, 1928.

Howells, William Dean. Criticism and Fiction. New York: Harper, 1892.

(p.233) ———. “Editor's Study.” Harper's Monthly, January 1902: 339–42.

———. “Editor's Study.” Harper's New Monthly, October 1888: 804.

———. A Hazard of New Fortunes. 1889–90. Afterword by Benjamin DeMott. New York: New American Library, 1965.

———. “Henry James, Jr.” The Century, November 1882: 25–29.

———. Italian Journeys. Illus. Joseph Pennell. Boston: Houghton, 1891.

———. A Little Swiss Sojourn. Illus. Charles S. Reinhart. New York: Harper & Brothers, 1892.

———. Review of The Soft Side by Henry James. “Editor's Easy Chair.” Harper's Monthly, January 1901: 316–20.

Ivins, William M., Jr. Prints and Visual Communication. Cambridge, MA: Harvard University Press, 1953.

Izzo, Donatella. Portraying the Lady: Technologies of Gender in the Short Stories of Henry James. Lincoln: University of Nebraska Press, 2001.

Jacobson, Marcia. Henry James and the Mass Market. University, AL: University of Alabama Press, 1983.

James, Henry. Autobiography: A Small Boy and Others and Notes of a Son and Brother. Ed. Frederick W. Dupee. London: W. H. Allen, 1956.

———. The Awkward Age. 1899. Harmondsworth, UK: Penguin, 1979.

———. Collected Travel Writings. Vol. 1, The Continent: A Little Tour in France; Italian Hours; Other Travels. Ed. Richard Howard. New York: Library of America, 1993.

———. Collected Travel Writings. Vol. 2, Great Britain and America: English Hours; The American Scene; Other Travels. Ed. Richard Howard. New York: Library of America, 1993.

———. Complete Stories of Henry James. 5 vols. New York: Library of America, 1999.

———. Correspondence of Henry James and Alvin Langdon Coburn. Henry James Papers, 1876–1915, 1930–69. Special Collections Department, Clifton Waller Barrett Library of American Literature, University of Virginia, Charlottesville.

———. “Du Maurier and London Society.” The Century, May 1883: 48–65.

———. English Hours. Illus. Joseph Pennell. Boston: Houghton Mifflin, 1905.

———. “George Du Maurier.” Harper's Monthly, September 1894: 594–609.

———. The Golden Bowl. 1904. Introduction by Gore Vidal. New York: Penguin, 1987.

———. Henry James Collection of Papers, [1867]–1917. Berg Coll Mss James. The Henry W. and Albert A. Berg Collection of English and American Literature, New York Public Library.

———. Henry James Papers. Beinecke Library, Yale University, New Haven, CT.

———. Henry James's Shorter Masterpieces. Ed. Peter Rawlings. Vol. 1. Totowa, NJ: Barnes & Noble, 1984.

(p.234) ———. The Letters of Henry James. Ed. Percy Lubbock. Vol. 1. New York: Charles Scribner's Sons, 1920.

———. Literary Criticism. Vol. 1, Essays on Literature; American Writers; English Writers. Ed. Leon Edel. New York: Library of America, 1984.

———. Literary Criticism. Vol. 2, French Writers; Other European Writers; The Prefaces to the New York Edition. Ed. Leon Edel. New York: Library of America, 1984.

———. “London.” Century Illustrated Magazine, December 1888: 219–39.

———. Novels 1886–1890: “The Princess Casamassima,” “The Reverberator,” “The Tragic Muse.” New York: Library of America, 1989.

———. Partial Portraits. London: Macmillan, 1888.

———. Picture and Text. New York: Harper & Brothers, 1893.

———. The Portrait of a Lady. 1881. Ed. Geoffrey Moore. New York: Penguin, 2003.

———. [James, Henry]. Review of Memoirs of Anna Jameson, by Geraldine Macpherson. The Nation, December 19, 1878: 388–89.

———. Washington Square. 1880. Ed. Brian Lee. New York: Penguin, 1984.

———. William Wetmore Story and His Friends: From Letters, Diaries and Recollections. 2 vols. Boston: Houghton, 1903.

———. The Wings of the Dove. 1903. Ed. Donald Crowley and Richard A. Hocks. New York: Norton, 2003.

———. [James, Henry]. “The Winter Exhibitions in London.” Review of an exhibition of drawings at the Royal Academy in London. The Nation, February 13, 1879: 115–16.

Jameson, Anna. Handbook to the Public Galleries of Art in and near London. London: Murray, 1845.

Jameson, Fredric. Foreword. The Postmodern Condition: A Report on Knowledge. By Jean François Lyotard. Trans. Geoff Bennington and Brian Massumi. Minneapolis: University of Minnesota Press, 1984. vii–xxi.

Jensen, Robert. Marketing Modernism in Fin-de-Siècle Europe. Princeton, NJ: Princeton University Press, 1994.

Johanningsmeier, Charles. “Henry James's Dalliance with the Newspaper World.” Henry James Review 19.1 (Winter 1998): 36–52.

John, Arthur. The Best Years of the “Century”: Richard Watson Gilder, “Scribner's Monthly,” and the “Century Magazine,” 1870–1909. Urbana: University of Illinois Press, 1981.

Jones, Granville H. Henry James's Psychology of Experience: Innocence, Responsibility, and Renunciation in the Fiction of Henry James. The Hague: Mouton, 1975.

Jones, Susan. “Conrad on the Borderlands of Modernism: Maurice Greiffenhagen, Dorothy Richardson and the Case of ‘Typhoon.’” Conrad in the Twenty-first Century: Contemporary Approaches and Perspectives. Ed. Carola Kaplan, Peter Lancelot Mallios, and Andrea White. New York: Routledge, 2005. 195–212.

Jussim, Estelle. Visual Communication and the Graphic Arts: Photographic Technologies in the Nineteenth Century. New York: Bowker, 1974.

(p.235) Kaplan, Amy. The Social Construction of American Realism. Chicago: University of Chicago Press, 1988.

Kaplan, Fred. Henry James: The Imagination of Genius. A Biography. New York: William Morrow, 1992.

———, ed. Traveling in Italy with Henry James: Essays. By Henry James. New York: Morrow, 1994.

Kappeler, Susanne. Writing and Reading in Henry James. New York: Columbia University Press, 1980.

Knieger, Bernard. “James's ‘Paste.’” Studies in Short Fiction 8.3 (Summer 1971): 468–69.

Lacan, Jacques. The Seminar of Jacques Lacan. Ed. Jacques-Alain Miller. Trans. Alan Sheridan. Book 11, The Four Fundamental Concepts of Psychoanalysis. New York: Norton, 1998.

Leavis, Q. D. “Henry James: The Stories.” Scrutiny 14.1 (Summer 1946): 223–29.

Lee, Hermione. Edith Wharton. New York: Knopf, 2007.

Leslie, Charles Robert. Hand-Book for Young Painters. London: Murray, 1855.

“Letterbook.” Records of Harper's Magazine, 1847–1983. Archival Ms. Material. Library of Congress, Washington, DC.

Levey, Michael. Holbein's Christina of Denmark, Duchess of Milan. Brochure. London: National Gallery, 1968.

Lewis, R. W. B., and Nancy Lewis, eds. The Letters of Edith Wharton. New York: Scribner's, 1988.

Lewis, Suzanne. Reading Images: Narrative Discourse and Reception in the Thirteenth-Century Illuminated Apocalypse. Cambridge: Cambridge University Press, 1995.

Little, J. Stanley. “Maurice Greiffenhagen and His Work.” Studio Magazine 9.46 (January 1897): 235–45.

Lucas, E. V. Edwin Austin Abbey, Royal Academician: The Record of His Life and Work. 2 vols. New York: Scribner's, 1921.

Lund, Michael. America's Continuing Story: An Introduction to Serial Fiction, 1850–1900. Detroit, MI: Wayne State University Press, 1993.

MacDonald, Bonney. “Henry James's English Hours: Private Spaces and the Aesthetics of Enclosure.” A Companion to Henry James Studies. Ed. Daniel Mark Fogel. Westport, CT: Greenwood, 1993. 395–406.

———. Henry James's “Italian Hours”: Revelatory and Resistant Impressions. Ann Arbor, MI: UMI Research Press, 1990.

Mainardi, Patricia. The End of the Salon: Art and the State in the Early Third Republic. Cambridge: Cambridge University Press, 1993.

Mantz, Paul. Hans Holbein. Paris: Quantin, 1879.

“Marginalia.” Frank Leslie's Popular Monthly, November 1899: 106–12.

Margolis, Anne T. Henry James and the Problem of Audience: An International Act. Ann Arbor, MI: UMI Research Press, 1985.

(p.236) Matthews, Brander. “The Pictorial Poster.” Century, September 1892: 748–56.

Matthiessen, F. O. “Henry James' Portrait of the Artist.” Introduction. Stories of Writers and Artists. By Henry James. Ed. F. O. Matthiessen. [New York]: New Directions, [1944]. 1–17.

McElderry, Bruce R., Jr. Henry James. New York: Twayne, 1965.

McGann, Jerome. A Critique of Modern Textual Criticism. Chicago: University of Chicago Press, 1983.

McWhirter, David, ed. Introduction. Henry James's New York Edition: The Construction of Authorship. Stanford, CA: Stanford University Press, 1995.

Meisel, Martin. Realizations: Narrative, Pictorial and Theatrical Arts in Nineteenth-Century England. Princeton, NJ: Princeton University Press, 1983.

Miller, David C. Introduction. Afterword. American Iconology: New Approaches to Nineteenth-Century Art and Literature. Ed. David C. Miller. New Haven, CT: Yale University Press, 1993. 1–17, 276–96.

Miller, J. Hillis. The Form of Victorian Fiction: Thackeray, Dickens, Trollope, George Eliot, Meredith, and Hardy. Notre Dame, IN: University of Notre Dame Press, 1968.

———. Illustration. Cambridge, MA: Harvard University Press, 1992.

———. Literature as Conduct: Speech Acts in Henry James. New York: Fordham University Press, 2005.

Mitchell, W. J. T. Picture Theory: Essays on Verbal and Visual Representation. Chicago: University of Chicago Press, 1994.

Mix, Katherine Lynn. A Study in Yellow: “The Yellow Book” and Its Contributors. Lawrence: University Press of Kansas, 1960.

Monkhouse, Cosmo. “Some English Artists and Their Studios.” The Century, August 1881: 553–68.

Moore, Rayburn S., ed. The Correspondence of Henry James and the House of Macmillan 1877–1914. Baton Rouge: Louisiana State University Press, 1993.

Mott, Frank Luther. A History of American Magazines. 4 vols. Cambridge, MA: Harvard University Press, c. 1958–68.

Müller, Christian, ed. With contributions by Christian Müller, Stephan Kemperdick, et al. Hans Holbein the Younger: The Basel Years 1515–1532. Trans. Stephen Telfer et al. Munich: Prestel, 2006.

Nadel, Ira B. “Visual Culture: The Photo Frontispieces to the New York Edition.” In McWhirter, 90–108.

“N. N.” [Elizabeth Robins Pennell]. “Posters in London.” The Nation, November 15, 1894.

North, John. The Ambassadors' Secret: Holbein and the World of the Renaissance. New York: Hambledon, 2004.

Nye, Russell B. “Notes on Photography and American Culture, 1839–1890.” Toward a New American Literary History: Essays in Honor of Arlin Turner. Ed. Louis Budd, Edwin H. Cady, and Carl L. Anderson. Durham, NC: Duke University Press, 1980. 244–57.

(p.237) Ohmann, Richard. Selling Culture: Magazines, Markets, and Class at the Turn of the Century. London: Verso, 1996.

Parker, K. T. The Drawings of Hans Holbein in the Collection of Her Majesty the Queen at Windsor Castle. New York: Harcourt, 1983.

Pearce, Howard. “Henry James's Pastoral Fallacy.” PMLA 90.5 (October 1975): 834–47.

Pennell, Elizabeth Robins. Introduction. Catalogue of the Etchings of Joseph Pennell. Compiled by Louis A. Wuerth. Boston: Little, Brown, 1928. vii–xx.

———. Joseph Pennell: An Account by His Wife Elizabeth Robins Pennell Issued on the Occasion of a Memorial Exhibition of His Works. Washington, DC: Library of Congress, 1927.

———. The Life and Letters of Joseph Pennell. 2 vols. London: Benn, 1930.

Pennell, Joseph. The Adventures of an Illustrator: Mostly in Following His Authors in America & Europe. Boston: Little, Brown, 1925.

———. The Jew at Home. New York: Appleton, 1892.

———. Modern Illustration. London: Bell, 1895.

Pennell, Joseph, and Elizabeth Robins Pennell Collection: Graphic Art, Papers and Cookbook Collection of Joseph and Elizabeth Robins Pennell. Prints and Photographs Division, Rare Books and Manuscripts Division, Library of Congress, Washington, DC.

Pinker, James B., and Son Records, 1893–1940. Berg Coll Mss Pinker (agency). The Henry W. and Albert A. Berg Collection of English and American Literature, New York Public Library.

Pitz, Henry C. Howard Pyle: Writer, Illustrator, Founder of the Brandywine School. New York: Bramhall, 1965.

Prettejohn, Elizabeth. The Art of the Pre-Raphaelites. Princeton, NJ: Princeton University Press, 2000.

Prettyman, Gib. “The Serial Illustrations of A Hazard of New Fortunes.” Resources for American Literary Study 21.2 (2001): 179–95.

Price, Kenneth M., and Susan Belasco Smith. Introduction. Periodical Literature in Nineteenth-Century America. Ed. Kenneth M. Price and Susan Belasco Smith. Charlottesville: University of Virginia Press, 1995. 3–16.

Przybylowicz, Donna. Desire and Repression: The Dialectic of Self and Other in the Late Works of Henry James. Tuscaloosa: University of Alabama Press, 1986.

Putt, S. Gorley. A Reader's Guide to Henry James. London: Thames, 1966.

Rawlings, Peter, ed. Introduction to Henry James' Shorter Masterpieces. Vol. 2. Brighton: Harvester Press, 1984.

Reading Experience Database 1450–1945 (RED). Open University, UK. http://www.open.ac.uk/Arts/RED/ (accessed February 10, 2009).

Reinhart, Charles Stanley. Papers 1870–1956. Ms Coll Reinhart. Rare Book & Manuscript Library, Columbia University, New York.

(p.238) “Reminiscences from Bridle and Brush by George Denholm Armour.” Excerpt from Bridle and Brush. London: Eyre & Spottiswode, 1937. 135–39.

Richards, Thomas. The Commodity Culture of Victorian England: Advertising and Spectacle, 1851–1914. Stanford, CA: Stanford University Press, 1990.

Robins, Elizabeth, ed. Theatre and Friendship: Some Henry James Letters. New York: Putnam's, 1932.

Rosenberg, Pierre, ed. Poussin and Nature: Arcadian Visions. New York: Metropolitan Museum of Art, 2008.

[Ruskin, John]. “Sir Joshua and Holbein.” Cornhill Magazine 1.3, March 1860: 322–28.

Salmon, Richard. Henry James and the Culture of Publicity. Cambridge: Cambridge University Press, 1997.

Scanlon, Jennifer. Inarticulate Longings: The “Ladies' Home Journal,” Gender, and the Promises of Consumer Culture. New York: Routledge, 1995.

Schapiro, Meyer. Words and Pictures: On the Literal and Symbolic in the Illustration of a Text. The Hague: Mouton, 1973.

———. Words, Script and Pictures: Semiotics of Visual Language. New York: George Braziller, 1996.

Schneirov, Matthew. The Dream of a New Social Order: Popular Magazines in America 1893–1914. New York: Columbia University Press, 1994.

Sedgwick, Ellery. A History of the “Atlantic Monthly” 1857–1909: Yankee Humanism at High Tide and Ebb. Amherst: University of Massachusetts Press, 1994.

Sedgwick, Eve Kosofsky. Touching Feeling: Affect, Pedagogy, Performativity. Durham, NC: Duke University Press, 2003.

Segnitz, T. M. “The Actual Genesis of Henry James's ‘Paste.’” American Literature 36.2 (May 1964): 216–19.

Seltzer, Mark. Henry James and the Art of Power. Ithaca, NY: Cornell University Press, 1984.

Shattuck, Harriet R. Woman's Manual of Parliamentary Law: With Practical Illustrations Especially Adapted to Women's Organizations. Boston: Lee & Shepard, 1893.

Shaw, Valerie. The Short Story: A Critical Introduction. London: Longman, 1983.

Shloss, Carol. Invisible Light: Photography and the American Writer: 1840–1940. New York: Oxford University Press, 1987.

Shorter, Clement. Letters to an Editor. 1896–1900. One of 25 copies privately printed for private distribution interleaved with eight original autographed letters by Henry James. MS MA 6091. Literary and Historical MSS. Pierpont Morgan Library, New York.

Simpson, Marc Alfred. “Reconstructing the Golden Age: American Artists in Broadway, Worcestershire, 1885 to 1889.” Ph.D. diss., Yale University, 1993.

Skrupskelis, Ignas K., and Elizabeth M. Berkeley, eds. The Correspondence of William James. 12 vols. Charlottesville: University of Virginia Press, 1992–2004.

(p.239) Sonstegard, Adam. “‘Singularly like a bad illustration’: The Appearance of Henry James's ‘The Real Thing’ in the Pot-Boiler Press.” Texas Studies in Literature and Language 45.2 (Summer 2003): 173–200.

Spielmann, M. H. “Posters and Poster-Designing in England.” Scribner's Magazine, July 1895: 34–48.

Stevens, Hugh. “The Resistance to Queory: John Addington Symonds and ‘The Real Right Thing.’” Henry James Review 20.3 (Fall 1999): 255–64.

St. John, John. William Heinemann: A Century of Publishing 1890–1990. London: Heinemann, 1990.

Stone, Donald D. Novelists in a Changing World: Meredith, James, and the Transformation of English Fiction in the 1880's. Cambridge, MA: Harvard University Press, 1972.

Stowe, William W. Going Abroad: European Travel in Nineteenth-Century American Culture. Princeton, NJ: Princeton University Press, 1994.

Sutherland, John. “Publishing History: A Hole at the Centre of Literary Sociology.” Literature and Social Practice. Ed. Philippe Desan, Priscilla Parkhurst Ferguson, and Wendy Griswold. Chicago: University of Chicago Press, 1989. 267–82.

Swanson, Vern Grosvenor. J. W. Godward: The Eclipse of Classicism. Art Renewal Center. Ed. Sherry Ross. 2002. http://www.artrenewal.org/articles/2002/John_William_Godward/godward1.asp (accessed November 7, 2008).

Sweeney, John L., ed. The Painter's Eye: Notes on the Pictorial Arts. By Henry James. 1956. Foreword by Susan M. Griffin. Madison: University of Wisconsin Press, 1989.

Talmeyer, Maurice. “The Age of the Poster.” Chautauquan, January 1897: 457–66.

Tebbel, John, and Mary Ellen Zuckerman. The Magazine in America, 1741–1990. New York: Oxford University Press, 1991.

Tick, Stanley. “Positives and Negatives: Henry James vs. Photography.” Nineteenth-Century Studies 7 (1993): 69–101.

Tintner, Adeline R. Henry James and the Lust of the Eyes: Thirteen Artists in His Work. Baton Rouge: Louisiana State University Press, 1993.

———. “An Illustrator's Literary Interpretations.” A. B. Bookman's Weekly, March 26, 1979: 2275–82.

———. The Museum World of Henry James. Ann Arbor, MI: UMI Research Press, 1986.

———. “The Real-Life Holbein in James's Fiction.” A. B. Bookman's Weekly, January 8, 1979: 278–87.

Trachtenberg, Alan. The Incorporation of America: Culture and Society in the Gilded Age. New York: Hill & Wang, 1982.

Vaid, K. B. Technique in the Tales of Henry James. Cambridge, MA: Harvard University Press, 1964.

Wagenknecht, Edward. The Tales of Henry James. New York: Ungar, 1984.

Waller, Philip. Writers, Readers and Reputations: Literary Life in Britain 1870–1918. Oxford: Oxford University Press, 2006.

(p.240) Warner, Charles Dudley. “Editor's Study.” Harper's New Monthly, June 1892: 152–56.

———. “Editor's Study.” Harper's New Monthly, August 1893: 476–78.

———. “Editor's Study.” Harper's New Monthly, January 1894: 315–17.

Watt, A. P., and Son Records (agency). Berg Coll Mss Watt. The Henry W. and Albert A. Berg Collection of English and American Literature, New York Public Library.

Weale, W. H. James. Hans Memlinc: A Notice of His Life and Works. London: Arundel Society, 1865.

Weaver, Mike. Alvin Langdon Coburn, Symbolist Photographer 1882–1966. New York: Aperture/Eastman, 1986.

Wells, H. G. “War Work in England.” Illustrated Catalogue of a Collection of Original Lithographs by Joseph Pennell. New York: Knoedler, 1927.

West, James L. W., III. American Authors and the Literary Marketplace since 1900. Philadelphia: University of Pennsylvania Press, 1988.

Wharton, Edith. A Backward Glance. 1934. New York: Scribner's, 1964.

———. Italian Backgrounds. New York: Scribner's, 1905.

———. Italian Villas and Their Gardens. 1904. Introduction by Arthur Ross, Henry Hope Reed, and Thomas S. Hayes. Illus. Maxfield Parrish. New York: Da Capo, 1988.

White, Harrison, and Cynthia White. Canvases and Careers: Institutional Change in the French Painting World. 1965. Chicago: University of Chicago Press, 1992.

Whyte, Frederic. William Heinemann, a Memoir. Garden City, NY: Doubleday, 1929.

Wilson, Christopher P. “The Rhetoric of Consumption: Mass-Market Magazines and the Demise of the Gentle Reader, 1880–1920.” The Culture of Consumption: Critical Essays in American History 1880–1980. Ed. Richard Wightman Fox and T. J. Jackson Lears. New York: Pantheon, 1983. 39–64.

The Windsor Collection of Holbein Portraits of the Court of Henry VIII. London: Arundel Society, 1877.

Winner, Viola Hopkins. Henry James and the Visual Arts. Charlottesville: University of Virginia Press, 1970.

Wolff, Robert Lee. “The Genesis of ‘The Turn of the Screw.’” American Literature 13.1 (March 1941): 1–8.

Woltmann, Alfred. Holbein und seine Zeit. 2 vols. Leipzig: Seemann, 1874–76.

Wornum, Ralph N. Hans Holbein and the Meier Madonna. London: Arundel Society, 1871.

———. Some Account of the Life and Works of Hans Holbein, Painter, of Augsburg: With Numerous Illustrations. London: Chapman & Hall, 1867.

Zabel, Morton Dauwen, ed. The Art of Travel: Scenes and Journeys in America, England, France and Italy from the Travel Writings of Henry James. 1958. Freeport, NY: Books for Libraries Press, 1970.