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Opera and the CityThe Politics of Culture in Beijing, 1770–1900$
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Andrea Goldman

Print publication date: 2012

Print ISBN-13: 9780804778312

Published to Stanford Scholarship Online: June 2013

DOI: 10.11126/stanford/9780804778312.001.0001

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Opera and the City
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Stanford University Press
DOI:10.11126/stanford/9780804778312.003.0001

The study of opera in Qing Beijing opens a key window onto the understanding of state-society relations and the mechanisms by which ideas and values were shared, shaped, disseminated, and contested. This book shows the associations between culture and power in the Qing dynasty. The eighteenth and nineteenth centuries were a golden age for opera performance in the Qing capital. The Qing court was uncertain about opera, especially as performed in the commercial playhouses of the capital. The book is also an interdisciplinary study of opera history, urban culture, and gender representation. It demonstrates that the networks of patronage, gossip, and literati connoisseurship formed a public space for social critique and sentimental indulgence. Finally, an overview of the chapters included in this book is given.

Keywords:   opera, Qing dynasty, Beijing, culture, power, Qing court, urban culture, gender representation

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