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Impossible ModernismT. S. Eliot, Walter Benjamin, and the Critique of Historical Reason$
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Robert S. Lehman

Print publication date: 2016

Print ISBN-13: 9780804799041

Published to Stanford Scholarship Online: May 2017

DOI: 10.11126/stanford/9780804799041.001.0001

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Anecdote

Anecdote

Chapter:
(p.145) Chapter 5 Anecdote
Source:
Impossible Modernism
Author(s):

Robert S. Lehman

Publisher:
Stanford University Press
DOI:10.11126/stanford/9780804799041.003.0006

Focusing on some of Walter Benjamin’s scattered remarks on “anecdote” in The Arcades Project and ancillary works, this chapter asks how anecdote came to appear to Benjamin to provide a critical model of historical perception, critical in the sense that it eludes the failings of both the rationalist approach to the past (which Benjamin associates with Hegel) and the empiricist approach to the past (which Benjamin associates with Ranke). It argues, finally, that the critical, anecdotal model of historical perception is concretized in Benjamin’s late “physiognomies,” that is, in his examinations of the gambler, the flâneur, the melancholic and other modern historical types. These figures and their diverse forms of life provide historical time with the “standard” that Benjamin seeks.

Keywords:   Walter Benjamin, Anecdote, Theodor Adorno, Historicism, Immanuel Kant, Arcades Project

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