Sonia Gollance
- Published in print:
- 2021
- Published Online:
- September 2021
- ISBN:
- 9781503613492
- eISBN:
- 9781503627802
- Item type:
- book
- Publisher:
- Stanford University Press
- DOI:
- 10.11126/stanford/9781503613492.001.0001
- Subject:
- Society and Culture, Jewish Studies
Dances and balls appear throughout literature as a place for young people to meet, flirt, and form relationships: as any reader of Pride and Prejudice, War and Peace, or Romeo and Juliet can attest, ...
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Dances and balls appear throughout literature as a place for young people to meet, flirt, and form relationships: as any reader of Pride and Prejudice, War and Peace, or Romeo and Juliet can attest, dance scenes provide an opportunity for writers to criticize societal expectations about courtship and partner choice, while simultaneously entertaining their readers. In this book, Sonia Gollance examines Jewish mixed-gender dancing in German and Yiddish literature, arguing that dance provides a powerful lens for understanding Jewish acculturation, secularization, and modernization. Gollance examines the specific literary qualities of dance scenes, such as the parallels between dance figures and plot structures, while also paying close attention to the broader social implications of Jewish engagement with dance during in the nineteenth and twentieth centuries. While traditional Jewish dance was among men only (or women only), mixed-sex dancing was the very sign of modernity, and thus a charged and complex arena for understanding the limits of acculturation, the dangers of class mixing, and the role of erotic engagement in modernization. Gollance’s book is organized around the spaces in which mixed dancing would take place: the tavern, the ballroom, the wedding, and the dance hall. Gollance also draws connections between the cultural history of social dance and contemporary popular culture, illustrating how mixed-sex dancing continues to function as a flexible metaphor for the concerns of Jewish communities in the face of cultural transitions.Less
Dances and balls appear throughout literature as a place for young people to meet, flirt, and form relationships: as any reader of Pride and Prejudice, War and Peace, or Romeo and Juliet can attest, dance scenes provide an opportunity for writers to criticize societal expectations about courtship and partner choice, while simultaneously entertaining their readers. In this book, Sonia Gollance examines Jewish mixed-gender dancing in German and Yiddish literature, arguing that dance provides a powerful lens for understanding Jewish acculturation, secularization, and modernization. Gollance examines the specific literary qualities of dance scenes, such as the parallels between dance figures and plot structures, while also paying close attention to the broader social implications of Jewish engagement with dance during in the nineteenth and twentieth centuries. While traditional Jewish dance was among men only (or women only), mixed-sex dancing was the very sign of modernity, and thus a charged and complex arena for understanding the limits of acculturation, the dangers of class mixing, and the role of erotic engagement in modernization. Gollance’s book is organized around the spaces in which mixed dancing would take place: the tavern, the ballroom, the wedding, and the dance hall. Gollance also draws connections between the cultural history of social dance and contemporary popular culture, illustrating how mixed-sex dancing continues to function as a flexible metaphor for the concerns of Jewish communities in the face of cultural transitions.
Kathryn Babayan
- Published in print:
- 2021
- Published Online:
- September 2021
- ISBN:
- 9781503613386
- eISBN:
- 9781503627833
- Item type:
- book
- Publisher:
- Stanford University Press
- DOI:
- 10.11126/stanford/9781503613386.001.0001
- Subject:
- History, Middle East History
Household anthologies of seventeenth-century Isfahan collected everyday texts and objects, from portraits, letters, and poems to marriage contracts and talismans. With these family collections, ...
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Household anthologies of seventeenth-century Isfahan collected everyday texts and objects, from portraits, letters, and poems to marriage contracts and talismans. With these family collections, Kathryn Babayan tells a new history of the city, at the transformative moment it became a cosmopolitan center of imperial rule. Bringing people's lives into view for a city with no extant state or civic archives, Babayan reimagines the archive of anthologies to recover how residents shaped their communities and crafted their urban, religious, and sexual selves.
Babayan highlights eight residents—from king to widow, painter to religious scholar, poet to bureaucrat—who anthologized their city, writing their engagements with friends and family, divulging the many dimensions of the social, cultural, and religious spheres of life in Isfahan. Through them, we see the gestures, manners, and sensibilities of a shared culture that configured their relations and negotiated the lines between friendship and eroticism. These entangled acts of seeing and reading, desiring and writing converge to fashion the refined urban self through the sensual and the sexual—and give us a new and enticing view of the city of Isfahan.Less
Household anthologies of seventeenth-century Isfahan collected everyday texts and objects, from portraits, letters, and poems to marriage contracts and talismans. With these family collections, Kathryn Babayan tells a new history of the city, at the transformative moment it became a cosmopolitan center of imperial rule. Bringing people's lives into view for a city with no extant state or civic archives, Babayan reimagines the archive of anthologies to recover how residents shaped their communities and crafted their urban, religious, and sexual selves.
Babayan highlights eight residents—from king to widow, painter to religious scholar, poet to bureaucrat—who anthologized their city, writing their engagements with friends and family, divulging the many dimensions of the social, cultural, and religious spheres of life in Isfahan. Through them, we see the gestures, manners, and sensibilities of a shared culture that configured their relations and negotiated the lines between friendship and eroticism. These entangled acts of seeing and reading, desiring and writing converge to fashion the refined urban self through the sensual and the sexual—and give us a new and enticing view of the city of Isfahan.
Mikiya Koyagi
- Published in print:
- 2021
- Published Online:
- September 2021
- ISBN:
- 9781503613133
- eISBN:
- 9781503627673
- Item type:
- book
- Publisher:
- Stanford University Press
- DOI:
- 10.11126/stanford/9781503613133.001.0001
- Subject:
- History, Middle East History
Completed in 1938, the Trans-Iranian Railway connected Tehran to Iran's two major bodies of water: the Caspian Sea in the north and the Persian Gulf in the south. Iran's first national railway, it ...
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Completed in 1938, the Trans-Iranian Railway connected Tehran to Iran's two major bodies of water: the Caspian Sea in the north and the Persian Gulf in the south. Iran's first national railway, it produced and disrupted various kinds of movement—voluntary and forced, intended and unintended, on different scales and in different directions—among Iranian diplomats, tribesmen, migrant laborers, technocrats, railway workers, tourists and pilgrims, as well as European imperial officials alike. Iran in Motion tells the hitherto unexplored stories of these individuals as they experienced new levels of mobility.
Drawing on newspapers, industry publications, travelogues, and memoirs, as well as American, British, Danish, and Iranian archival materials, Mikiya Koyagi traces contested imaginations and practices of mobility from the conception of a trans-Iranian railway project during the nineteenth-century global transport revolution to its early years of operation on the eve of Iran's oil nationalization movement in the 1950s. Weaving together various individual experiences, this book considers how the infrastructural megaproject reoriented the flows of people and goods. In so doing, the railway project simultaneously brought the provinces closer to Tehran and pulled them away from it, thereby constantly reshaping local, national, and transnational experiences of space among mobile individuals.Less
Completed in 1938, the Trans-Iranian Railway connected Tehran to Iran's two major bodies of water: the Caspian Sea in the north and the Persian Gulf in the south. Iran's first national railway, it produced and disrupted various kinds of movement—voluntary and forced, intended and unintended, on different scales and in different directions—among Iranian diplomats, tribesmen, migrant laborers, technocrats, railway workers, tourists and pilgrims, as well as European imperial officials alike. Iran in Motion tells the hitherto unexplored stories of these individuals as they experienced new levels of mobility.
Drawing on newspapers, industry publications, travelogues, and memoirs, as well as American, British, Danish, and Iranian archival materials, Mikiya Koyagi traces contested imaginations and practices of mobility from the conception of a trans-Iranian railway project during the nineteenth-century global transport revolution to its early years of operation on the eve of Iran's oil nationalization movement in the 1950s. Weaving together various individual experiences, this book considers how the infrastructural megaproject reoriented the flows of people and goods. In so doing, the railway project simultaneously brought the provinces closer to Tehran and pulled them away from it, thereby constantly reshaping local, national, and transnational experiences of space among mobile individuals.
John D. Ciorciari
- Published in print:
- 2021
- Published Online:
- September 2021
- ISBN:
- 9781503613669
- eISBN:
- 9781503614284
- Item type:
- book
- Publisher:
- Stanford University Press
- DOI:
- 10.11126/stanford/9781503613669.001.0001
- Subject:
- Political Science, International Relations and Politics
This book examines “sovereignty-sharing” in fragile states, focusing on ventures in which domestic and international actors share authority to provide basic public services and build the rule of law. ...
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This book examines “sovereignty-sharing” in fragile states, focusing on ventures in which domestic and international actors share authority to provide basic public services and build the rule of law. It examines how and why these ventures are created, designed, and implemented and what determines their perceived legitimacy and effectiveness. The book shows that sovereignty sharing can help address governance gaps under certain conditions, but that apportioning core sovereign functions remains difficult, as national and international partners bring different capacities, norms, and policy priorities. It demonstrates that the political foundations of sovereignty-sharing arrangements are crucial for effective performance, which in turn drives popular support. The book considers case studies of hybrid tribunals in Sierra Leone, Cambodia, and Lebanon; joint policing in Timor-Leste; and anti-corruption initiatives in Guatemala and Liberia. It offers the first comparative assessment of these remarkable efforts to repair ruptures in the rule of law.Less
This book examines “sovereignty-sharing” in fragile states, focusing on ventures in which domestic and international actors share authority to provide basic public services and build the rule of law. It examines how and why these ventures are created, designed, and implemented and what determines their perceived legitimacy and effectiveness. The book shows that sovereignty sharing can help address governance gaps under certain conditions, but that apportioning core sovereign functions remains difficult, as national and international partners bring different capacities, norms, and policy priorities. It demonstrates that the political foundations of sovereignty-sharing arrangements are crucial for effective performance, which in turn drives popular support. The book considers case studies of hybrid tribunals in Sierra Leone, Cambodia, and Lebanon; joint policing in Timor-Leste; and anti-corruption initiatives in Guatemala and Liberia. It offers the first comparative assessment of these remarkable efforts to repair ruptures in the rule of law.
Milena B. Methodieva
- Published in print:
- 2021
- Published Online:
- May 2021
- ISBN:
- 9781503613379
- eISBN:
- 9781503614130
- Item type:
- book
- Publisher:
- Stanford University Press
- DOI:
- 10.11126/stanford/9781503613379.001.0001
- Subject:
- History, European Modern History
This book tells the story of the Muslim community in modern Bulgaria during a period of imperial dissolution, conflicting national and imperial enterprises, and the emergence of new national and ...
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This book tells the story of the Muslim community in modern Bulgaria during a period of imperial dissolution, conflicting national and imperial enterprises, and the emergence of new national and ethnic identities. Following the Ottoman-Russian war of 1877-1878 that paved the way for Bulgarian independence, a movement for cultural reform and political mobilization gained momentum within Bulgaria’s sizable Muslim population. From the establishment of the Bulgarian state in 1878 until the 1908 Young Turk revolution, this reform movement emerged as part of a struggle to redefine Muslim collective identity without severing ties to the Ottomans, during a period when Muslims were losing faith in the Sultan, while also fearing Young Turk secularism. This book draws on both Ottoman and Eastern European historiographies, and approaches the question of Balkan Muslims’ engagement with modernity through a transnational lens, demonstrating how Bulgarian Muslims debated similar questions as Muslims elsewhere around the world. This book situates the Bulgarian story within a global narrative of Muslim political and cultural reform movements, analyzes how Muslims understood and conceptualized “Europe,” and reveals the centrality of the Bulgarian Muslims to the Young Turk Revolution. Milena Methodieva makes a compelling case for how the experience of a Muslim minority provides new insight into the nature of nationalism, citizenship, and state formation.Less
This book tells the story of the Muslim community in modern Bulgaria during a period of imperial dissolution, conflicting national and imperial enterprises, and the emergence of new national and ethnic identities. Following the Ottoman-Russian war of 1877-1878 that paved the way for Bulgarian independence, a movement for cultural reform and political mobilization gained momentum within Bulgaria’s sizable Muslim population. From the establishment of the Bulgarian state in 1878 until the 1908 Young Turk revolution, this reform movement emerged as part of a struggle to redefine Muslim collective identity without severing ties to the Ottomans, during a period when Muslims were losing faith in the Sultan, while also fearing Young Turk secularism. This book draws on both Ottoman and Eastern European historiographies, and approaches the question of Balkan Muslims’ engagement with modernity through a transnational lens, demonstrating how Bulgarian Muslims debated similar questions as Muslims elsewhere around the world. This book situates the Bulgarian story within a global narrative of Muslim political and cultural reform movements, analyzes how Muslims understood and conceptualized “Europe,” and reveals the centrality of the Bulgarian Muslims to the Young Turk Revolution. Milena Methodieva makes a compelling case for how the experience of a Muslim minority provides new insight into the nature of nationalism, citizenship, and state formation.
Julian Germann
- Published in print:
- 2021
- Published Online:
- May 2021
- ISBN:
- 9781503609846
- eISBN:
- 9781503614291
- Item type:
- book
- Publisher:
- Stanford University Press
- DOI:
- 10.11126/stanford/9781503609846.001.0001
- Subject:
- Economics and Finance, Economic History
The global rise of neoliberalism since the 1970s is widely seen as a dynamic originating in the United States and the United Kingdom, and only belatedly and partially repeated by Germany. From this ...
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The global rise of neoliberalism since the 1970s is widely seen as a dynamic originating in the United States and the United Kingdom, and only belatedly and partially repeated by Germany. From this Anglocentric perspective, Germany's emergence at the forefront of neoliberal reforms in the eurozone is perplexing, and tends to be attributed to the same forces conventionally associated with the Anglo-American pioneers. This book challenges this ruling narrative. It recasts the genesis of neoliberalism as a process driven by a plenitude of actors, ideas, and interests. And it lays bare the pragmatic reasoning and counterintuitive choices of German crisis managers obscured by this master story.
This book argues that German officials did not intentionally set out to promote neoliberal change. Instead they were more intent on preserving Germany's export markets and competitiveness in order to stabilize the domestic compact between capital and labor. Nevertheless, the series of measures German policy elites took to manage the end of golden-age capitalism promoted neoliberal transformation in crucial respects: it destabilized the Bretton Woods system; it undermined socialist and social democratic responses to the crisis in Europe; it frustrated an internationally coordinated Keynesian reflation of the world economy; and ultimately it helped push the US into the Volcker interest-rate shock that inaugurated the attack on welfare and labor under Reagan and Thatcher.
From this vantage point, the book illuminates the very different rationale behind the painful reforms German state managers have demanded of their indebted eurozone partners.Less
The global rise of neoliberalism since the 1970s is widely seen as a dynamic originating in the United States and the United Kingdom, and only belatedly and partially repeated by Germany. From this Anglocentric perspective, Germany's emergence at the forefront of neoliberal reforms in the eurozone is perplexing, and tends to be attributed to the same forces conventionally associated with the Anglo-American pioneers. This book challenges this ruling narrative. It recasts the genesis of neoliberalism as a process driven by a plenitude of actors, ideas, and interests. And it lays bare the pragmatic reasoning and counterintuitive choices of German crisis managers obscured by this master story.
This book argues that German officials did not intentionally set out to promote neoliberal change. Instead they were more intent on preserving Germany's export markets and competitiveness in order to stabilize the domestic compact between capital and labor. Nevertheless, the series of measures German policy elites took to manage the end of golden-age capitalism promoted neoliberal transformation in crucial respects: it destabilized the Bretton Woods system; it undermined socialist and social democratic responses to the crisis in Europe; it frustrated an internationally coordinated Keynesian reflation of the world economy; and ultimately it helped push the US into the Volcker interest-rate shock that inaugurated the attack on welfare and labor under Reagan and Thatcher.
From this vantage point, the book illuminates the very different rationale behind the painful reforms German state managers have demanded of their indebted eurozone partners.
Tili Boon Cuillé
- Published in print:
- 2020
- Published Online:
- May 2021
- ISBN:
- 9781503613362
- eISBN:
- 9781503614178
- Item type:
- book
- Publisher:
- Stanford University Press
- DOI:
- 10.11126/stanford/9781503613362.001.0001
- Subject:
- Literature, 18th-century Literature
The Enlightenment remains widely associated with the rise of scientific progress and the loss of religious faith, a dual tendency that is thought to have contributed to the disenchantment of the ...
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The Enlightenment remains widely associated with the rise of scientific progress and the loss of religious faith, a dual tendency that is thought to have contributed to the disenchantment of the world. In her wide-ranging and richly illustrated book, Tili Boon Cuillé questions the accuracy of this narrative by investigating the fate of the marvelous in the age of reason.
Exploring the affinities between the natural sciences and the fine arts, Cuillé examines the representation of natural phenomena—whether harmonious or discordant—in natural history, painting, opera, and the novel from Buffon and Rameau to Ossian and Staël. She demonstrates that philosophical, artistic, and emotional responses to the "spectacle of nature" in eighteenth-century France included wonder, enthusiasm, melancholy, and the "sentiment of divinity." These "passions of the soul," traditionally associated with religion and considered antithetical to enlightenment, were linked to the faculties of reason, imagination, and memory that structured Diderot's Encyclopédie and to contemporary theorizations of the sublime. As Cuillé reveals, the marvelous was not eradicated but instead preserved through the establishment and reform of major French cultural institutions dedicated to science, art, religion, and folklore that were designed to inform, enchant, and persuade.Less
The Enlightenment remains widely associated with the rise of scientific progress and the loss of religious faith, a dual tendency that is thought to have contributed to the disenchantment of the world. In her wide-ranging and richly illustrated book, Tili Boon Cuillé questions the accuracy of this narrative by investigating the fate of the marvelous in the age of reason.
Exploring the affinities between the natural sciences and the fine arts, Cuillé examines the representation of natural phenomena—whether harmonious or discordant—in natural history, painting, opera, and the novel from Buffon and Rameau to Ossian and Staël. She demonstrates that philosophical, artistic, and emotional responses to the "spectacle of nature" in eighteenth-century France included wonder, enthusiasm, melancholy, and the "sentiment of divinity." These "passions of the soul," traditionally associated with religion and considered antithetical to enlightenment, were linked to the faculties of reason, imagination, and memory that structured Diderot's Encyclopédie and to contemporary theorizations of the sublime. As Cuillé reveals, the marvelous was not eradicated but instead preserved through the establishment and reform of major French cultural institutions dedicated to science, art, religion, and folklore that were designed to inform, enchant, and persuade.
Julia Elsky
- Published in print:
- 2020
- Published Online:
- May 2021
- ISBN:
- 9781503613676
- eISBN:
- 9781503614369
- Item type:
- book
- Publisher:
- Stanford University Press
- DOI:
- 10.11126/stanford/9781503613676.001.0001
- Subject:
- Society and Culture, Jewish Studies
Why did some of the most brilliant—but often forgotten—Jewish émigré writers of the first half of the twentieth century choose to write in French as a second language, even as they faced a double ...
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Why did some of the most brilliant—but often forgotten—Jewish émigré writers of the first half of the twentieth century choose to write in French as a second language, even as they faced a double exclusion as foreigners and as Jews under Vichy? Jewish writers of Eastern European origin who immigrated to France before the Second World War (including Benjamin Fondane, Romain Gary, Jean Malaquais, Irène Némirovsky, and Elsa Triolet) switched from writing in their languages of origin to writing primarily in French, even when their Frenchness was being violently denied by the state. In this manuscript, Julia Elsky argues that these Jewish émigré writers harnessed the potential multilingualism of French to express hybrid and shifting cultural, religious, and linguistic identities before and during the Occupation.
When the Vichy regime and Nazi occupiers denied them their French identity through xenophobic and antisemitic laws, Jewish émigré authors from Eastern Europe began to re-examine, and in some cases, reassert their role in the French nation by exploring the possibilities of writing with a “Jewish voice” in the French language. In depicting key aspects of the war experience—the June 1940 civilian flight from Paris, life in the occupied and southern zones, the Resistance in France and in London—their work contests the boundaries between foreignness and belonging.Less
Why did some of the most brilliant—but often forgotten—Jewish émigré writers of the first half of the twentieth century choose to write in French as a second language, even as they faced a double exclusion as foreigners and as Jews under Vichy? Jewish writers of Eastern European origin who immigrated to France before the Second World War (including Benjamin Fondane, Romain Gary, Jean Malaquais, Irène Némirovsky, and Elsa Triolet) switched from writing in their languages of origin to writing primarily in French, even when their Frenchness was being violently denied by the state. In this manuscript, Julia Elsky argues that these Jewish émigré writers harnessed the potential multilingualism of French to express hybrid and shifting cultural, religious, and linguistic identities before and during the Occupation.
When the Vichy regime and Nazi occupiers denied them their French identity through xenophobic and antisemitic laws, Jewish émigré authors from Eastern Europe began to re-examine, and in some cases, reassert their role in the French nation by exploring the possibilities of writing with a “Jewish voice” in the French language. In depicting key aspects of the war experience—the June 1940 civilian flight from Paris, life in the occupied and southern zones, the Resistance in France and in London—their work contests the boundaries between foreignness and belonging.
Alma Rachel Heckman
- Published in print:
- 2020
- Published Online:
- May 2021
- ISBN:
- 9781503613805
- eISBN:
- 9781503614147
- Item type:
- book
- Publisher:
- Stanford University Press
- DOI:
- 10.11126/stanford/9781503613805.001.0001
- Subject:
- Society and Culture, Jewish Studies
Structured around the stories of five prominent Moroccan Jewish Communists (Léon René Sultan, Edmond Amran El Maleh, Abraham Serfaty, Simon Lévy, and Sion Asssidon), The Sultan’s Communists examines ...
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Structured around the stories of five prominent Moroccan Jewish Communists (Léon René Sultan, Edmond Amran El Maleh, Abraham Serfaty, Simon Lévy, and Sion Asssidon), The Sultan’s Communists examines how Moroccan Jews envisioned themselves participating as citizens in a newly independent Morocco. It also explores how Communism facilitated the participation of Moroccan Jews in Morocco’s national liberation struggle with roots in the mass upheavals of the interwar and WWII periods. Alma Heckman describes how Moroccan Communist Jews fit within the story of mass Jewish exodus from Morocco in the 1950s and ’60s, and how Communist Jews survived oppressive post-independence authoritarian rule under the Moroccan monarchy. These stories unfold in a country that, upon independence from France and Spain in 1956, allied itself with the United States (and, more quietly, Israel) during the Cold War all while attempting to claim a place for itself within the fraught politics of the post-independence Arab world. Heckman’s manuscript contributes to the growing literature on Jews in the modern Middle East, filling in the gaps on the Jewish history of 20th-century Morocco as no other previous book has done.Less
Structured around the stories of five prominent Moroccan Jewish Communists (Léon René Sultan, Edmond Amran El Maleh, Abraham Serfaty, Simon Lévy, and Sion Asssidon), The Sultan’s Communists examines how Moroccan Jews envisioned themselves participating as citizens in a newly independent Morocco. It also explores how Communism facilitated the participation of Moroccan Jews in Morocco’s national liberation struggle with roots in the mass upheavals of the interwar and WWII periods. Alma Heckman describes how Moroccan Communist Jews fit within the story of mass Jewish exodus from Morocco in the 1950s and ’60s, and how Communist Jews survived oppressive post-independence authoritarian rule under the Moroccan monarchy. These stories unfold in a country that, upon independence from France and Spain in 1956, allied itself with the United States (and, more quietly, Israel) during the Cold War all while attempting to claim a place for itself within the fraught politics of the post-independence Arab world. Heckman’s manuscript contributes to the growing literature on Jews in the modern Middle East, filling in the gaps on the Jewish history of 20th-century Morocco as no other previous book has done.
Clémence Boulouque
- Published in print:
- 2020
- Published Online:
- January 2021
- ISBN:
- 9781503612006
- eISBN:
- 9781503613119
- Item type:
- book
- Publisher:
- Stanford University Press
- DOI:
- 10.11126/stanford/9781503612006.001.0001
- Subject:
- Religion, Judaism
STANFORD UNIVERSITY PRESSStanford, CaliforniaSTANFORD UNIVERSITY PRESSStanford, California© 2020 by the Board of Trustees of the Leland Stanford Junior University.All rights reserved.No part of this ...
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STANFORD UNIVERSITY PRESSStanford, CaliforniaSTANFORD UNIVERSITY PRESSStanford, California© 2020 by the Board of Trustees of the Leland Stanford Junior University.All rights reserved.No part of this book may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying and recording, or in any information storage or retrieval system without the prior written permission of Stanford University Press....Less
STANFORD UNIVERSITY PRESS
Stanford, California
STANFORD UNIVERSITY PRESS
Stanford, California
© 2020 by the Board of Trustees of the Leland Stanford Junior University.
All rights reserved.
No part of this book may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying and recording, or in any information storage or retrieval system without the prior written permission of Stanford University Press....
The Dangers of Poetry
Making History in Iran
The Practice of Misuse
Unexpected Alliances
Mediterranean Enlightenment
Poetic Force
Architects of Austerity
Common Knowledge?
