- Title Pages
- Dedication
- Acknowledgments
- List of Abbreviations
- Introduction
-
One Prologue -
Two Renga History -
Three On the Tsukubashū -
Four Post-Shinkokinshū Waka -
Five Ancient and Middle-Period Renga -
Six The Character of the Work of the Early Masters -
Seven The Style of Ineffable Depth (Yūgen) -
Eight Learning and the Study of Renga -
Nine The Role of Waka in Renga Training -
Ten On Hokku -
Eleven Double Meaning in Poetry -
Twelve The Manifold Configurations of Poetry -
Thirteen The Roots of Poetry in Temporality -
Fourteen Poetic Process as a Contemplation -
Fifteen The Wisdom of Nondiscrimination -
Sixteen Right Teaching and the Individual Poet -
Seventeen The Influence of Companions in the Way -
Eighteen Poetry and the Mundane Mind -
Nineteen The Issue of Fame as Index of Poetic Value -
Twenty Poetry is an Existential Discipline -
Twenty-One Poetry Is a Self-Consuming Passion -
Twenty-Two Worldly Glory Versus Reclusive Concentration -
Twenty-Three Criticism is a Function of One's Own Limitations -
Twenty-Four Sitting with a Master -
Twenty-Five Constant Practice Is Decisive -
Twenty-Six Valorizing the Deviant or Obscure -
Twenty-Seven The Difficulty of Comprehending Superior Poetry -
Twenty-Eight The “Vulgar” Verse -
Twenty-Nine Plagiarism -
Thirty Excessive Straining After Effect -
Thirty-One Semantic Confusion -
Thirty-Two Incomprehensibility -
Thirty-Three The Close Link and the Distant Link -
Thirty-Four On Hen-jo-dai-kyoku-ryū as the Structure of the Renga Link -
Thirty-Five On Rikugi: -
Thirty-Six Poetry Contests and Criticism -
Thirty-Seven Marks and Grade Points in Renga -
Thirty-Eight One's True Poetry Emerges in Old Age -
Thirty-Nine The State of Renga in Our Time - Appendix: Biographical Notes
- Bibliography
- Character List
- Index of First Lines
- Subject Index
The Issue of Fame as Index of Poetic Value
The Issue of Fame as Index of Poetic Value
- Chapter:
- (p.64) Nineteen The Issue of Fame as Index of Poetic Value
- Source:
- Murmured Conversations
- Publisher:
- Stanford University Press
In rejecting the notion that popular taste is the arbiter of poetic authenticity, Shinkei acknowledges that the common people or the majority, who are incapable of appreciating the greatest minds, must necessarily remain in obscurity. This does not mean that Shinkei himself considers obscurity as necessarily evidence of virtue, or that he welcomes it. His allusion to Bai Juyi's poem on the lonely pine implies that Shinkei is aware of being remote from any worldly fame at this time. As if to prove Sasamegoto right even at its author's expense, Shinkei always chose to stay just beyond the limelight, not only in his lifetime but also afterward.
Keywords: Shinkei, Japanese poetry, fame, Bai Juyi, Sasamegoto
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- Title Pages
- Dedication
- Acknowledgments
- List of Abbreviations
- Introduction
-
One Prologue -
Two Renga History -
Three On the Tsukubashū -
Four Post-Shinkokinshū Waka -
Five Ancient and Middle-Period Renga -
Six The Character of the Work of the Early Masters -
Seven The Style of Ineffable Depth (Yūgen) -
Eight Learning and the Study of Renga -
Nine The Role of Waka in Renga Training -
Ten On Hokku -
Eleven Double Meaning in Poetry -
Twelve The Manifold Configurations of Poetry -
Thirteen The Roots of Poetry in Temporality -
Fourteen Poetic Process as a Contemplation -
Fifteen The Wisdom of Nondiscrimination -
Sixteen Right Teaching and the Individual Poet -
Seventeen The Influence of Companions in the Way -
Eighteen Poetry and the Mundane Mind -
Nineteen The Issue of Fame as Index of Poetic Value -
Twenty Poetry is an Existential Discipline -
Twenty-One Poetry Is a Self-Consuming Passion -
Twenty-Two Worldly Glory Versus Reclusive Concentration -
Twenty-Three Criticism is a Function of One's Own Limitations -
Twenty-Four Sitting with a Master -
Twenty-Five Constant Practice Is Decisive -
Twenty-Six Valorizing the Deviant or Obscure -
Twenty-Seven The Difficulty of Comprehending Superior Poetry -
Twenty-Eight The “Vulgar” Verse -
Twenty-Nine Plagiarism -
Thirty Excessive Straining After Effect -
Thirty-One Semantic Confusion -
Thirty-Two Incomprehensibility -
Thirty-Three The Close Link and the Distant Link -
Thirty-Four On Hen-jo-dai-kyoku-ryū as the Structure of the Renga Link -
Thirty-Five On Rikugi: -
Thirty-Six Poetry Contests and Criticism -
Thirty-Seven Marks and Grade Points in Renga -
Thirty-Eight One's True Poetry Emerges in Old Age -
Thirty-Nine The State of Renga in Our Time - Appendix: Biographical Notes
- Bibliography
- Character List
- Index of First Lines
- Subject Index
