This book is an account of classical Japanese poetics, based on the two concepts of emptiness (jo-ha-kyū) and temporality (mujō) that ground the medieval practice and understanding of poetry. It clarifies the unique structure of the collective poetic genre called renga (linked poetry) by analyzing Shinkei's writings, particularly Sasamegoto. The book engages contemporary Western theory, especially Jacques Derrida's concepts of différance and deconstruction, to illuminate the progressive displacement that constitutes the dynamic poetry of the renga link as the sequence moves from verse 1 to 100 ... More

This book is an account of classical Japanese poetics, based on the two concepts of emptiness (jo-ha-kyū) and temporality (mujō) that ground the medieval practice and understanding of poetry. It clarifies the unique structure of the collective poetic genre called renga (linked poetry) by analyzing Shinkei's writings, particularly Sasamegoto. The book engages contemporary Western theory, especially Jacques Derrida's concepts of différance and deconstruction, to illuminate the progressive displacement that constitutes the dynamic poetry of the renga link as the sequence moves from verse 1 to 100. It also draws on phenomenology, Martin Heidegger's Being and Time, Mikhail Bakhtin's notion of the dialogical, Hans-Georg Gadamer's Truth and Method, hermeneutics, and the concept of translation to delve into philosophical issues of language, mind, and the creative process. Furthermore, the book traces the development of the Japanese sense of the sublime and ineffable (yūgen and its variants) from the identification, by earlier waka poets such as Shunzei and Teika, of their artistic practice with Buddhist meditation (Zen or shikan), and of superior poetry as the ecstatic figuration of the Dharma realm. It constitutes a new definition of Japanese poetry from the medieval period onward as a symbolist poetry, a figuration of the sacred rather than a representation of nature, and reveals how the spiritual or moral dimension is essential to an understanding of traditional Japanese aesthetic ideals and practices, such as Nô performance, calligraphy, and black-ink painting.