This book offers a new reading of early modern romance in the light of historically contemporary accounts of mind, and specifically the medical tradition of love-melancholy. It argues that the medical profile of the melancholic lover provides an essential context for understanding the characteristic patterns of romance: narrative deferral, epistemological uncertainty, and the endless quest for a quasi-phantasmic beloved. The book establishes a detailed historical basis for investigating the psychological structure of romance. It begins by tracing the development of the medical disorder first k ... More

This book offers a new reading of early modern romance in the light of historically contemporary accounts of mind, and specifically the medical tradition of love-melancholy. It argues that the medical profile of the melancholic lover provides an essential context for understanding the characteristic patterns of romance: narrative deferral, epistemological uncertainty, and the endless quest for a quasi-phantasmic beloved. The book establishes a detailed historical basis for investigating the psychological structure of romance. It begins by tracing the development of the medical disorder first known in the Latin west as amor hereos (lovesickness) from its earliest roots in Greek and Arabic medicine to its translation into the Latin medical tradition. Drawing on this detailed historical material, the book considers three important early modern romances: Ludovico Ariosto's Orlando Furioso, Torquato Tasso's Gerusalemme Liberata, and Edmund Spenser's The Faerie Queene, concluding with a brief consideration of the significance of this literary and medical legacy for Romanticism. Most broadly, the interdisciplinary nature of this study allows the author to investigate the central critical problem of early modern subjectivity in new ways.