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Theater of StateParliament and Political Culture in Early Stuart England$
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Theater of State: Parliament and Political Culture in Early Stuart England

Chris Kyle

Print publication date: 2012

Print ISBN-13: 9780804752886

Published to Stanford Scholarship Online: June 2013

DOI: 10.11126/stanford/9780804752886.001.0001

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PRINTED FROM STANFORD SCHOLARSHIP ONLINE (www.stanford.universitypressscholarship.com). (c) Copyright Stanford University Press, 2022. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in SSO for personal use.date: 23 May 2022

Conclusion

Conclusion

Chapter:
(p.175) Conclusion
Source:
Theater of State
Publisher:
Stanford University Press
DOI:10.11126/stanford/9780804752886.003.0008

This chapter discusses how Parliament became the so-called Theater of State in the 1620s. It argues that Parliament and the theater constitute structurally analogous configurations of issues and audience in the post-Reformation public sphere. The chapter also considers the activities of Sir John Elliot, who embodied many of the aspects of parliamentary speech in the 1620s.

Keywords:   Sir John Eliot, Parliament, theater, parliamentary speech

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