Twilight
Twilight
This chapter examines the truth of the crime scene in Bernardo Bertolucci's film The Spider's Stratagem. It explains that this film dramatizes and complicates the vicissitudes of the repeating line and transfers Jorge Luis Borges' time labyrinth from the domain of language to that of vision. It analyzes the intricate the pattern of the film and suggests that it succeeds in articulating the temporality of the future anterior as the chiasm of light and darkness. This chapter also contends that full speech in the film coincides with the subject's assumption of a language that refers back to itself and with the emergence of truth as revelation.
Keywords: crime scene, The Spider's Stratagem, Bernardo Bertolucci, repeating lines, Jorge Luis Borges, time labyrinth, vision, truth as revelation
Stanford Scholarship Online requires a subscription or purchase to access the full text of books within the service. Public users can however freely search the site and view the abstracts and keywords for each book and chapter.
Please, subscribe or login to access full text content.
If you think you should have access to this title, please contact your librarian.
To troubleshoot, please check our FAQs , and if you can't find the answer there, please contact us.
