Heidegger, Klee's Turn, and the Origin of the Work of Art
Heidegger, Klee's Turn, and the Origin of the Work of Art
This chapter analyzes Martin Heidegger's interpretation of Paul Klee's works based on his essay The Origin of the Work of Art, explaining that Heidegger described Klee's works as he did the Greek temples and claimed that, in Klee, something has happened that none of us yet grasps. It also mentions Heidegger's discussion with Shinichi Hisamatsu in 1958, where he declared that he valued Klee higher than Pablo Picasso. The chapter also discusses Heidegger's condemnation of surrealism, abstract art, and objectless art to the failures of metaphysics, and highlights his belief that Klee is something of an exception to this.
Keywords: Paul Klee, Martin Heidegger, Work of Art, surrealism, abstract art, objectless art, Pablo Picasso
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