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The Aesthetics of HateFar-Right Intellectuals, Antisemitism, and Gender in 1930s France$
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Sandrine Sanos

Print publication date: 2012

Print ISBN-13: 9780804774574

Published to Stanford Scholarship Online: June 2013

DOI: 10.11126/stanford/9780804774574.001.0001

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The Race of Fascism

The Race of Fascism

Je Suis Partout, Race, and Culture

(p.194) 6 The Race of Fascism
The Aesthetics of Hate
Stanford University Press

This chapter examines the rhetoric published in the pages of Je Suis Partout, which dealt with issues of race, culture, and fascism. Throughout the 1930s, Je Suis Partout became known for its open embrace of fascist regimes across Europe, its violent denunciation of French politics at home and abroad, and its violent anti-Semitism. In the wake of the “failed days of February 1934,” the accession to power of the Popular Front, the Spanish Civil War, and the growing “bolchevization of Europe,” far-right journalists and intellectuals produced an increasingly violent rhetoric, insulting, denouncing, and berating the politicians and intellectuals they deemed to constitute the “anti-France”.

Keywords:   Je Suis Partout, race, culture, fascism, anti-Semitism, far-right intellectuals, French politics, Popular Front

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