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The Dangers of PoetryCulture, Politics, and Revolution in Iraq$
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Kevin M. Jones

Print publication date: 2020

Print ISBN-13: 9781503613393

Published to Stanford Scholarship Online: January 2021

DOI: 10.11126/stanford/9781503613393.001.0001

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Neoclassical Modernity

Neoclassical Modernity

Poetry, History, and Authenticity, 1876–1914

Chapter:
(p.21) Chapter 1 Neoclassical Modernity
Source:
The Dangers of Poetry
Author(s):

Kevin M. Jones

Publisher:
Stanford University Press
DOI:10.11126/stanford/9781503613393.003.0002

This chapter details the engagement of Iraqi poets with the Arab Nahda of the late nineteenth and early twentieth centuries. It provides a brief account of the social role of poetry in late Ottoman Iraq and a survey of the neoclassical poetry revival in Egypt and Syria. The chapter shows how Iraqi poets used the Nahda press to articulate their own relationship to modernity and reveals how new appreciations of the singularity of Iraq’s poetry tradition inspired proto-nationalist conceptions of Iraqi culture. Finally, the chapter examines the efforts of a new generation of young Najafi poets to promote the pioneering role of their own Najafi predecessors and reconstruct the historiography of the Arab Nahda for a broader Arab audience in the early twentieth century.

Keywords:   poetry, modernism, secularism, nationalism, Shiʿism, Iraqi politics, intellectual life, politics and literature, politics and culture

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