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The Dangers of PoetryCulture, Politics, and Revolution in Iraq$
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Kevin M. Jones

Print publication date: 2020

Print ISBN-13: 9781503613393

Published to Stanford Scholarship Online: January 2021

DOI: 10.11126/stanford/9781503613393.001.0001

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PRINTED FROM STANFORD SCHOLARSHIP ONLINE (www.stanford.universitypressscholarship.com). (c) Copyright Stanford University Press, 2021. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in SSO for personal use.date: 24 September 2021

Cultural Hegemony

Cultural Hegemony

The Politics of Class, Gender, and Nation, 1958–1963

Chapter:
(p.159) Chapter 6 Cultural Hegemony
Source:
The Dangers of Poetry
Author(s):

Kevin M. Jones

Publisher:
Stanford University Press
DOI:10.11126/stanford/9781503613393.003.0007

This chapter explores the collapse of national front politics and the violent cultural conflict that followed the revolution of July 14, 1958. It shows how relatively minor ideological disputes over the meaning of “Arab unity” evolved into a vicious cultural confrontation between communists and nationalists. The chapter documents the role of nationalist poets in constructing an anticommunist cultural discourse that emphasized the sexual immorality of their rivals. Their own vision of “muscular nationalism” portrayed the nationalist Baʿth Party as custodians of national honor and progressive advocates of women’s liberation. Communist poets struggled to combat these allegations by defending the progressive aspects of their agenda, but they remained hesitant to address questions of gender and sexuality directly. The poetry wars of this period critically shaped the cultural politics of national liberation and presaged the sectarian violence of the coming decades.

Keywords:   poetry, nationalism, Iraqi politics, intellectual life, politics and literature, politics and culture, communism, Cold War, gender, class

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